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9-11 on richardhowe.com

In recognition of the 25th anniversary of the 9/11 attacks, here are some items on those events that have appeared on this website:

Notes from September 11, 2001

By Richard Howe (on Sept 11, 2011)

Within days of the September 11, 2001, terrorist attacks, I sat down with a pencil and a yellow legal pad and made some notes about what had happened. Here’s what I wrote in the days after 9-11:

When Franklin Roosevelt spoke to the country after the attack on Pearl Harbor, he said that December 7, 1941, was a day that would live in infamy. September 11, 2001, became such a day when terrorists hijacked four commercial airliners, crashing two of them into the World Trade Center, another into the Pentagon, killing more than 5000 innocent civilians.

The story is well known. At 8:48 a.m. last Tuesday, an American Airlines 757 that had left Boston bound for LA smashed into the upper floors of one of the two towers of New York City’s World Trade Center. Eighteen minutes later, while the world was watching on live TV, a United Airlines 757 smashed into the second tower. About an hour later, an American flight from Dulles Airport to California crashed into the Pentagon. The fourth hijacked plane took off from Newark, flew almost to Ohio, then turned back on a course towards Washington, DC. That plane crashed in an open field near Pittsburgh, Pennsylvania.

The investigation has thus far identified nineteen hijackers, all from the Middle East. In teams of four or five, they boarded these planes armed with knives, razor blade box cutters and, perhaps, explosives. Much of what we know about what happened on these planes came from passengers on the planes who used cell phones to call people on the ground. Many of these conversations, related by relatives, were heart-wrenching, with last goodbyes and admonitions to take care of the kids.

But the calls also painted pictures of what happened on the planes with people being stabbed. By the time the Newark flight was taken, the whole country realized this was a massive terrorist attack. The cell phone calls from that plane brought the passengers the news that their captors were on a suicide mission. At least three passengers said they were about to try to retake the plane. Whatever happened – a deliberate crash, a bomb, or just a loss of control – the passengers on that plane are viewed as heroes, because that aircraft’s target was undoubtedly the White House, the Capitol, or some other such building.

The other heroes on this sad day were the firefighters and police in New York City, more than 400 of whom died. Here is what happened: The terrorists had planned well. They took over planes on cross-country flights early in their journeys when they were still full of highly flammable jet fuel on a Tuesday, statistically the slowest day for air travel, with fewer passengers to control. So when the planes hit the World Trade Center, each created an immense fireball of burning jet fuel. Photographs show dozens of people in proximity to the flames dangling from windows. More gruesome pictures freeze people in midair as they plummet to certain death one hundred floors below. At least one fireman was killed when such a person landed atop of him. In such desperate circumstances, hundreds of firefighters streamed into the building, laboriously climbing the stairs as thousands of the buildings’ occupants passed them as they evacuated down the stairs.

Then, about an hour after the first plane struck, one of the towers collapsed. The already weakened structure could not withstand the incredible heat of the fire, and the upper floors suddenly plunged downward, creating a chain reaction until there was nothing left but a pile of rubble and a huge cloud of dust – and thousands of dead buried within the rubble. Just eight minutes later this unbelievable scene was repeated as the second tower followed the first, straight into the ground.

Only a dozen have been rescued and there is little hope for anymore. The death toll won’t be final for weeks. More than 5000 are missing including 300 firefighters, 50 police officers and the passengers on the two planes.

Compared to the World Trade Center, the casualties at the Pentagon were relatively light: Had the Pentagon happened on its own, we would have judged it to be a devastating attack. The death toll there, including those on the plane, was about 180.

Here in Lowell, the weather on September 11, 2001, was absolutely beautiful. The sky was a cloudless blue and the temperature was comfortably warm. I had walked from the courthouse down to Kearney Square for a meeting. Someone said they thought there had been an accident involving a plane and the World Trade Center. We found a TV and saw a video replay of the second plane striking the second tower shortly after it had happened in real time. Though the second plane made it apparent that none of this was accidental, it was still impossible to comprehend: Even though I had seen the video of the plane crashing into the building, I assumed it was a small private jet because after all, we had security at our airports and commercial jetliners just did not get hijacked anymore.

I walked rapidly back to the Courthouse and turned on a portable radio. The court officers had tuned the TV in the jury room to a news channel. Many of us sat there watching as the towers came crashing down on live TV. After the attack, our internet service went down, I assume from overuse of the network. At noon, Governor Jane Swift ordered that all state buildings be closed. At 12:30 pm I went home and spent the rest of the day watching CNN.

Because two of the planes had left from Boston, the Greater Lowell community was touched by loss – Ogonowski, Quigley, Kinney, were just some of the names of those who perished. A special mass was held at St. Louis church and community vigils took place at JFK Plaza and Boarding House Park. Everyone was flying the flag, but whether the average American is willing to make the sacrifices necessary to successfully respond to this attack is still an open question.

September 11

By Steve O’Connor (on Sept 11, 2008)

Seven years ago today, I was teaching a class at Greater Lowell Tech as a few hundred miles south of us, men guided hijacked planes full of innocent people toward targets full of innocent people. When the bell rang and I emerged from my class, Bob Dick, another teacher, was standing by my door. “Do you know what’s happening?”

“What do you mean?”

“The United States is under attack.”

His look told me that he was in earnest, and I knew that those were words he would never speak in jest. He explained quickly what had happened so far, jetliners full of fuel had slammed into the World Trade Centers and the Pentagon; other hijacked planes were unaccounted for. Someone said there was a television on in the cafeteria. I had the next period off, so I ran to the cafeteria. Students and teachers sat transfixed, watching black columns of smoke rising miles into the sky above the burning towers. The camera panned in to show people leaning far out of the upper windows, driven to those dizzying perches by the scorching heat within. The camera pulled back while the stunned commentators tried to make sense of what was happening, and then, before our eyes, the South Tower crumbled into a pillar of cloud.

If you were alive in 2001, I don’t need to remind you of all of this. As Americans, as human beings, the scenes of destruction and grief are etched in our memories. Beyond that, there was the way that that day touched so many of us individually. I saw a young colleague in tears. Her brother worked in the Pentagon, and she had not heard from him. The husband of another had been scheduled to be on American Airlines Flight 11. The day before, his boss had decided to send someone else. The following Sunday, I went to play with the over 40 soccer team from Pepperell against Nashua. Before the game, both teams gathered in a circle at the center of the field for a moment of silence. The brother of one of the Nashua players had died on one of the hijacked planes. My wife told me that a young man who worked at the gas station on the corner of Fletcher and Pawtucket had also been killed. He used to say hello to her every morning as she walked to her classes at the university. On September 12th, as I entered Greater Lowell Tech, I saw school custodian and former Dracut selectman Doug Willet, lowering the flag to half mast. There were tears in his eyes. He had been a personal friend of pilot John Ogonowski.

My sister in law, Maria Elena Ortiz, had a nephew named Danny Correa. He was born in Colombia, but came to this country as a child, and grew up in Union City, New Jersey. At the age of 25, he had realized the American dream. He was near completion of a degree in Accounting earned while working as a manger in a Loews Theater in Secaucus. He applied for a job in the accounting department of an insurance firm, and was hired. His office was on the 98th floor of the World Trade Center. “It’s like working in the clouds,” he told his aunt, “I feel like I’m in heaven.”

His father dropped him at the PATH train station at 7:45 AM that Tuesday morning. Several hours later, his father and mother were wandering the streets of New York, checking the armory, Red Cross stations, hospitals, one of an army of helpless people searching for loved ones. But like so many of those whose destiny it was to be in the towers that day, Danny Correa was never seen again. His mother Marina fell gravely ill and spent some time in the hospital. The inexplicable tragedy of that day eventually tore her marriage asunder.

Danny Correa had formed a garage band called Lucid A. He played guitar, drums, keyboards and horns. He was also the band’s songwriter and lyricist. In a song called “London Kills Me,” the young immigrant had written, “London kills me in the morn. New York saves me by the dawn.” He had become a true New Yorker. Looking out from his office window on the 98th floor of the World Trade Center, he wrote to a friend, “I dance in the clouds, and soak in the haze.”

They say that the hijackers who murdered thousands that day believed they would go to heaven. I don’t think so, but as for Danny Correa, he was already there.

9/11 at Home

By Paul Marion (on Sept 10, 2016)

I waited a long time before writing about 9/11, not because I didn’t want to but because I could not find the right words. I had composed a short, oblique poem called “The Cut” that delved into the way Nature tends to heal itself when it can, the way tree bark will close up over a lost limb. There was nothing specific about 9/11 there, however, I was trying to get at the idea of loss and recovery, wound and scar. A few years later, after reading my friend Jack Neary’s tribute to his high-school friend John Ogonowski, I found a way forward. It was the Dracut connection. I didn’t know John, but I had gone to school with members of his extended family. I knew the landscape, the culture of the town we shared. We had graduated from the same college. For those of us who live in eastern Massachusetts, the brutal attack on the planes that day was searingly real. Many of us knew somebody who was killed. These were our people. Of all the projects I worked on during my time on the UMass Lowell staff, the 9/11 memorial on campus may be the one that means the most to me. The original idea and specific design came from students, and with people on campus working together we got it built in a timely way. I was glad the university yesterday re-dedicated the sculptural tribute called Unity on the East Campus along the River Walk. After several attempts, a few years ago I completed a prose poem or sketch that is an elegy for John Ogonowski, not the conventional elegy form but one where form followed content.—PM

On a rise on the southern bank just below the rocky grill of the riverbed, students at his college carved into stone his name and those of six others to remember John, who grew up to be a pilot and a farmer, who shared his land with Asian refugees who had resettled in the inner precincts of Lowell and who wanted to grow vegetables as they did in Cambodia, Vietnam, and Laos, places from which John had flown home hurt soldiers in the closing years of the war in Southeast Asia,

John the preservationist, who protected open space in his town whose English name is Dracut, from the 1600s, called Agumtoocooke for ages by native people for its vast forest, John, who on September 11, 2001, lifted his passengers into a “severe clear” sky, nothing but blue on the route west, John, who guided American Airlines Flight 11 out of Boston’s Logan Airport, where so many of us have flown away with faith in the promise of technology, management, and civilized behavior,

John, who carried his travelers into boundless air on a day when he had as usual driven in early from Marsh Hill in Dracut to captain his plane across country, that day like any other in the late summer, not officially fall even though schools were in session, that day like no other by the end of the morning, by the end of the paper rain and ash-cloud, by the end of the twisted steel and burnt ground, by the end of John’s life,

on that day from which we have not fully recovered the bounce that had always made people elsewhere admire our sure belief that Americans could figure out a problem and invent the next dazzle, a day that moved John’s neighbors and even strangers who had never heard of him to drive slowly up the winding hill road that leads to his farm, where they heaped flowers, hand-made signs, candles, and sympathy cards in front of the wide white gate leading to the farm, piled high the cut flowers, placed in silence,

and past the white gate up the driveway a giant crane held an American flag as big as the flag that covers the left field wall at Fenway Park on opening day, and past the crane and flag was the farmhouse of John’s family, his wife and daughters, who needed him to come back so he would sit next to them at the table in the house one more time.

Tony: Movie Review

“Tony” movie poster

Tony: Movie Review

By Leo Racicot

I can’t say I ever had much of an interest in author, world traveler, culinary supernova, Anthony Bourdain. His Kitchen Confidential thug demeanor was a turn-off. Though he hit the nail on-the-head with his portrayal of how crude, rude and crass kitchen workers can be (I’ve worked in busy food prep kitchens and can attest to his characterization of them), I couldn’t relate to them personally and couldn’t relate to Bourdain.

No, I was eager to see the new movie, Tony, a biopic about Bourdain’s early years working in a rowdy Provincetown restaurant galley, for one reason only; to see the latest work of Dominic Sessa, who was so very good in The Holdovers a couple of years back. His performance in that now well-established holiday favorite is one I’ve watched over-and-over again, even outside of the Christmas season. That Sessa was plucked out of a group of other unknowns by director Alexander Payne from his fellow Deerfield Academy acting classmates to play conflicted student Angus Tully is a testament to the raw, untested power of his acting skills. In The Holdovers Sessa more than holds his own against the accomplished veteran actor, Paul Giamatti. At the time, I wondered if Sessa was a mere flash-in-the- pan, if his successful star-making turn as Angus would carry over to new projects. Plus, Tony, being about cooking and food, did draw me to the box office where I witnessed Sessa once again bringing his considerable skills, his soulful eyes, his dark curly mop of hair with its appealing 1970s retro vibe, his lanky frame to recreate the young, fiery, just-setting-out-to-find-himself Anthony Bourdain. I find there’s an early Al Pacino quality about Sessa. Like Pacino, he can appear calm, pensive then all-of-a-sudden explode in a fiery burst of flame. He more than does right by Bourdain playing the young chef-to-be as a confused, searching wiseass punk whose M.O, at least when he’s starting out on his life’s journey, is to lie, lie, lie to everyone about everything. Sessa, who was so brilliant portraying adolescent angst in The Holdovers here ignites the screen with the same kind of intensity. I like his young Bourdain more than I liked the real Bourdain which is saying a lot about the skill Sessa brings to his scenes, his intensity countered with an appealing vulnerability brings genuine power to the story. Industry predictors are already talking Oscar buzz for this performance.

Adding to the film’s appeal is the always watchable Antonio Banderas. A perennially likeable actor, he brings a soulful, caring vibe to the role of the chef who takes a lost, homeless Tony into his home and into his restaurant, mentoring him in the ways of kitchen work. The way he wakes Tony up early each morning so Tony can make it on time to work is hilarious. I have to say though, and have been saying this for years, that usually I have little to no idea what the heavily-accented Banderas is saying. When he first burst on movie screens in the 1980s in several of Spanish director Pedro Almodovar’s films, all audiences had to contend with was subtitles.

Newcomer Leo Woodall made me sit up in my seat. I’d heard his name bandied about in various projects but had never seen him in any of them. He’s a very fine actor, nearly steals the movie in every scene he’s in, playing Tony’s chaotic line cook friend, Sal, a rowdy who introduces Tony to the wild side of Provincetown summer life: sex, brawls, drugs. When his character leaves the story mid-way, he is missed. I kept wishing he’d return. I won’t be surprised if he, too, is nominated for recognition come awards time. I’ve since caught up with other of his performances in Prime Target & Tuner, a heist thriller with Dustin Hoffman, and he is very, very good. I hear the James Bond franchise is keeping its eye on him to play the next 007.

Tony. A satisfying afternoon at the movies. A second coup for Dominic Sessa who we’re sure to be seeing more of in the years ahead.

Seen & Heard: Vol. 36

A weekly report on things I’ve read, heard and seen since last Wednesday. 

Exhibit: The Great Elephant Migration. This is a temporary public art display on the Commonwealth Avenue Mall from Dartmouth to Fairfield Streets in Boston. It depicts 100 life sized elephants sculpted in India from plant materials. The exhibit is free but will only be there until this Saturday, September 12. Each sculpture is based on a living elephant so you have big bulls and matriarchs and smaller adolescents and babies. Here’s how the exhibit website explains its purpose: “The herd is here to share their story of coexistence; that there is room for all of us on this planet. We hope this exhibition reminds us of the awe we feel when in the company of wild, free animals and inspires us to better share our world with them.” I visited the display last Sunday morning and especially enjoyed being among a very diverse crowd of people wandering amongst the elephants, taking selfies, gazing at the individual sculptures and how they interacted with each other as part of the herd. 

Obituary: “Dolly Parton, Superstar Whose Songs Spoke to Millions, Dies at 80.” By Bill Friskics-Warren, New York Times, August 25, 2026. For as long as I can remember, anytime I heard Dolly Parton sing, watched her on TV or in a movie, or read about her in a newspaper or magazine, I got a good feeling. From the outpouring of positive comments from across the American spectrum, it seems that most people had the same response. I especially respected her philanthropy, particularly her “Imagination Library” which has provided something like 200 million books to children in an effort to develop the habit of reading. I also appreciated her help finding a Covid-19 vaccine including being one of the first to get jabbed while in a very public venue to set the example that all should receive it. People in public life, whether they be athletes, performers or politicians, would be advised to study how she interacted with others and how she handled potentially divisive issues in a way that always showed respect and compassion. 

Article: “Study Links Brain Disease to at Least 1 in 4 in NFL” by John Branch in New York Times, August 26, 2026. The phrase “at least” is doing a lot of work here. Between 2016 and 2021, 878 former NFL players died. Researchers examined the brains of 235 of them for evidence of chronic traumatic encephalopathy (better known as CTE), a condition only detectable after death. Of the 235 brains examined, 215 of them had CTE. Perhaps a better headline would be that 94.5 percent of the brains of deceased former NFL players that were examined had CTE. But the way the Times frames it is accurate, even though many of the brains that were not examined might also have CTE. The great American novelist Upton Sinclair once wrote, “It is difficult to get a man to understand something, when his salary depends on his not understanding it.” It seems abundantly clear that playing tackle football causes this debilitating and life-shortening brain injury in many players, yet because of the great fortune involved in pro football, partly for the players but mostly going to the billionaire owners and the billionaire-owned media companies that televise the games, no one will seriously contemplate not playing football, which is a tragedy. One mystery is why do some former players get CTE while others, who had plenty of hits to the head, do not. Researchers theorize that there is some gene that protects people who have it from this condition. If that gene can ever be identified – which it hasn’t been yet – perhaps a screening test could permit only those not susceptible to CTE to continue to play. But that would likely cut into the profits so it’s unlikely to happen. 

Article: “A Fragile Treasure Endures a Sojourn” by Alex Marshall, New York Times, August 23, 2026. This article is about the Bayeux Tapestry, a 900 year old, 220 foot long stretch of fabric that depicts the Battle of Hastings in the year 1066. Throughout that time it has resided in the town of Bayeux, France, which is on the Normandy Peninsula, just 15 miles from Omaha Beach. Despite repeated requests from Britain to display it temporarily in that country, the French government and the tapestry’s custodians never relented – until this year. Now, from September 11, 2026, through July 11, 2027, the tapestry will be displayed in the British Museum in London. If you want to go, be advised that tickets are sold out through the end of this year. I had the good fortune to see the tapestry in Bayeux in 2004 on a family trip to Normandy. The exterior of the building that housed it was unremarkable, and the interior was quite dark to help preserve the fabric and its colors. The tapestry was stretched on the wall along three sides of the building behind protective glass. It’s like a graphic novel that ends with the Anglo-Saxon king of Britain dying from an arrow through the eye, and William the Conqueror, a Norman from Normandy, becoming the new king. The Battle of Hastings is one of a handful of iconic events that mark Britain’s national character so getting the thing to England is a big deal. Why did the French relent? Curators, who opposed the move because of the potential damage, give blame or credit to President Emmanuel Macron with a big boost from King Charles and the British government which has insured the piece for $1 billion. 

L’Etoile – A Star on Prince Street, Chapter 4

Two years ago, Louise Peloquin began sharing excerpts from L’Etoile, a French-language newspaper published in Lowell from 1886 to 1957. At my urging, she has agreed to compile some of her previous posts with added contextual information into a book manuscript to be called, L’Etoile: A Star on Prince Street. Starting this week, Louise will present draft chapters from the book in serial form here on the blog. Today, we have another installment.

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L’Etoile – A Star on Prince Street

Chapter 4 – The Daily Course

By Louise Peloquin

L’Etoile was a team venture, a collective adventure. Everyone played an indispensable role, always encouraged to activate their skills and to place them at the service of the public.

Some team members were out and about collecting local news, interviewing people around town, taking notes, writing reports and editorials. Others translated breaking world, national and regional news into French. Some met business owners and merchants interested in posting advertisements. And of course, the master artisans of the printing trade, the linotypists and machinists, enabled pursuing the paper’s objectives.

L’Etoile was a printing company whose business activities allowed publishing a French daily newspaper catering to Lowell’s Franco-American community. The Prince Street Star shone upon readers outside Lowell as well. All of this was never a single person’s accomplishment. On the contrary, the working body of L’Etoile members made everything possible.

The rolling, rumbling Mergenthaler linotype machines never took breaks. The days were full of numerous exchanges and activities involved in running a print shop and a newspaper:  placing orders for paper, discussing headlines, opinion pieces and layout, examining sales, distribution channels and so much more. Each day had its repeated tasks. The team was focused on meeting clients’ expectations. Community service, rather than the profit motive, propelled efforts.

Every day, the men and women of L’Etoile Printing and Publishing Company adapted to the demands at hand. Their versatility exploded stereotypes about who should be doing what. Linotypists turned into translators and reporters. Publicists served as newspaper couriers. Editors converted into canvassers, investigators and poets. Secretaries became accountants. No pair of hands, be they rough and calloused or dainty and white, shied away from handling blackened bits of lead to create catchy headlines and captivating accounts. Furthermore, everyone was an expert broom-pusher and tidy-upper. All hands were on deck.

Everyone knew a bit about the other’s specialty. Not being chained to a single function made for quite an exciting ambiance.

Other key players were the mechanical “colleagues.” Without the Mergenthalers, stationery, business cards, programs, order slips, let alone a foreign language newspaper, could not exist. The many components of L’Etoile’s equipment were really the queen bees of the Prince Street hive. Team members pampered them by feeding them strips of lead, rolls of paper, bottles of ink, drops of oil. In turn, they delivered the panels, leaves, folios and pages which enhanced local lives.

The royal machines’ residence took up the better part of the 24-26 Prince Street premises. Team members occupied narrow cramped corners whose austerity seemed to be conducive to reflection. It was out of the question to print stale news or provide defective office supplies.

While the human workers buzzed, the machine queen bees performed a symphony of clicks, clings, clangs, claps and occasional bings, bongs and boings. Each instrument played to the beat of its own metronome. The din was never found to be cacophonous. On the contrary, it was as reassuring as the whoosh of the nearby Merrimack and as energizing as the hustle and bustle outside – the early morning passers-by filing down narrow Little Canada streets rushing to work, the children gleefully pouring out of red brick buildings at the end of the school day, the fuzzy outlines of figures heading for tenements and shops at dusk. These sounds filled 24-26 Prince Street and serenaded L’Etoile’s team members’ lives.