Voyages
Voyages
By Jim Provencher
1 Old Orchard Beach
In the last place, where the river
enters the sea, where it
ripples into a larger whole,
my mother lived out
her final days, wandering
sea-oat anchored dunes,
wading the sea-edge,
gathering glinting shells
that caught her eye.
2 Then, Back When
Some day in some forgotten way I might
tell truth too plain and hard to say tonight.
Might meet in some forgotten lane or street,
dare linger there, two who could have been more,
forever close the door on strife,
and so then stray, wander walk-talking
together again, taking no mind
of dark weather and rain.
3 Warning
Waving goodbye from her porch,
the last time I saw her, my mother warned:
Don’t go down those trackless roads of pristine snow.
4 Travel
The only place I go now, nowhere—
Not looking for sights but insights.
Scrutinize the Scorpion
where a hook of stars ends
in a lonely spark.
To be long at birth, to sing
full-throated songs into middle age.
January thaw—out walking.
Old chestnuts crunching underfoot.
Crossing the darkness.
Geese disappear—
back to myself
and sad.
Leaving the river—
loafing about,
eddying out.
Back to being
a bumpkin among moguls,
a place called home.
Back into
unerudite locality, growing
inchoate.
Basking in the afterglow,
winter sunsets—sensing
an optative mood coming on.
Foul water
dripping from a broken tap—
why fix it?
A few finger exercises
before launching into
the heavy work.
Roadside sign—
WOOD CUT, SPlIT
& DELIVERED
Footing it across Moose Pond,
gliding the gleam of snowless ice—
white lightning fracture cracks.
Winter witchgrass greens vacant hills,
rolling down to marshes where brackish water
freezes into florescent shell-ice.
5 Open Range
Five years after the great drives began,
they brought the barbed wire in.
The sea of grass, Canada to Mexico,
open range open no more.
Left with no room to roam,
a man without a star.
Count him lucky, owned a few good horses,
kept a good name through 76 years.
Now more than a little cracked.
Winds blew through him like Blue Northers.
What’s it all been for?
Words herded into novel-sized ranches.
Here’s bad, there’s worse.
Bad things in a bad looking glass.
6 Alta
We venture round the mountain
seeking little powder stashes, hurtling
down no-fall zones, skiing the deeps and steeps,
surfing our own small avalanches, etching
sharp 11s, dropping straight down the fall line.
We ski hard all day, sucking wind at high altitudes.
Side-step up Devil’s Tower for powder chutes,
bottomless snow that can swallow the best.
Reflexes wanting, I persevere, lean on technique
like a washed-up poet on the peaks.
Some runs, pristine perfect signatures,
unfurling down the blank white page.
7 Wintering Out
Waking to new vacancy—
February gust rattles
seed pods in the chinaberry.
Tramping the rusty rail line
down to Alice’s Restaurant
where Alice in undersea light
is cooking up crinoids
on a fresh-scraped grill.
Still serving breakfast?
Anything, you can have anything
you want, anytime of the day.
A stand of cottonwood,
duff oak and leaf litter.
Springs that once sugared Sugar Creek
trickle brown and sour.
Moment to moment,
Life can be good but seems bad on the whole,
bottomed out in the hollows
Thick with bracken and fern,
snarls of briers and nameless weeds
Last of last snow hunkers in dark ravines.
8 Adios, El Paso
Exiting Edgelands,
passing through, crossing over,
making the long journey back.
Like the Rio Bravo,
trickling away from greatness
promised at the source.
Fanning out nowhere
across dry playas
and hard salt pans.
9 Old Mission Trail
Unfinished, everything still to be done.
Schoenberg’s absolute serialism,
Whitman’s extensive field of grass,
Shostakovich’s joyous Ninth.
Whispered names and musique concrete.
Clothed in perfumed harmonies,
percussive Sonatinas prone to frenzy.
Digressive dalliances with variance.
Poetry no object but a way of life.
What a brilliant masterpiece of the journey of life through precisely chosen words. Elegantly written with wisdom and an understanding of the human condition. A masterpiece!
To read my father’s poetry is to be gently drawn into a landscape of feeling and memory as familiar as it is quietly profound. His words have always lived in both voice and ink, reaching those who gather to listen. Within this collection, everyday moments become luminous. Modest gestures, quiet observations, and passing seasons reveal depths that linger in the heart.
My father’s poems have long shown me how life’s beauty often dwells at the edges, between sunlight and shadow, in the hush that follows laughter, and in the bittersweet act of looking back while moving forward at the same time. His verses move through change and loss, yet always hold a persistent warmth.
The physical world is ever-present in his work, not for grandiosity, but for its grounding force. It is as though the landscape, whether a busy street or a quiet field, shares its wisdom through him, teaching all of us how to weather storms and cherish unexpected clarity.
It is a rare gift to read poems that feel at once deeply personal and universally true. I recognise my father in these lines: unafraid to be vulnerable, generous in spirit, and forever seeking understanding. For those who read his words, his poetry will provoke reflection and quietly remain.
Hey there Walter, done good, played hard. Namadgi Park rises bold and stark. There’s a volume there for sure.
Provencher’s recent batch of poems, packed with sharp images, create emotional photographs that etch clearly defined landscapes of memory, loss, and the wonders of the natural world. Their humanity packs a powerful punch.